Music For The End Of Time

Fanny Allié, China Marks, David B. Smith

September 24 – November 21, 2020

Music for the end of time installation view
david smith diamond decay fabric sculpture

David B. Smith
Diamond Decay, 2018
Digitally woven cotton with polyester
and thread on wood stretcher
70 x 50 in. / 177.8 x 127 cm.

david smith diamond decay detail
fanny allie rising star fabric collage

Fanny Allié
Rising Star, 2019
Collages and mixed media on fabric 
40 x 27 ¾ in. / 101.6 x 70.5 cm.

fanny allie rising star detail
china marks the devils workshop fabric collage

China Marks
The Devil’s Workshop, 2018 
Fabric, thread, screen-printing ink, button, yarn,
lace, residual paint, and fusible adhesive
55 x 40 in. / 139.7 x 101.6 cm.

china marks devil's workshop detail
Music for the end of time installation image
fanny allie interstice fabric collage

Fanny Allié
Interstice, 2019
Collage and mixed media on fabric
34 ¾ x 30 in. / 88.3 x 76.2 cm.

fanny allie instistence detail
fanny allie hanging net fabric collage

Fanny Allié
Hanging Net, 2018
Collage and mixed media on fabric
30 ¼ x 33 in. / 76.8 x 83.8 cm.

Music for the end of time installation image
china marks five rooms fabric book

China Marks
Five Rooms, 2020
(A book inspired by the Baldessari print suite
Six Rooms, published by Brooke Alexander, Inc.)
Fabric, thread, screen-printing ink, lace, fusible 
adhesive, Jade glue.
12 x 11 in. / 30.5 x 27.9 cm. (closed)
12 x 21 in. / 30.5 x 53.3 cm. (open)

china marks music for the end of time fabric collage

China Marks
Music for the End of Time, 2020
Fabric, thread, screen-printing ink
and fusible adhesive
11 ½ x 12 ¾ in. / 29.2 x 32.4 cm.

Music for the end of time installation image
david smith memory palace fabric painting

David B. Smith
Memory Palace, 2017
Digitally woven cotton with color yarn,
in artist's frame
33 x 26 in. / 83.8 x 66 cm.

david smith memory palace detail
china mark clown princess coming undone fabric collage

China Marks
Clown Princess, Coming Undone…, 2020
Fabric, thread, lace, stamped brass, rubber face, 
button, screen-printing ink, fusible adhesive on a 
contemporary tapestry copy of Boreas
(a painting by John William Waterhouse)
51 x 36 ½ in. / 129.5 x 92.7 cm.

china marks clown detail
Music for the end of time installation image
fanny allie hanging coat fabric collage

Fanny Allié
Hanging Coat, 2020
Collage and mixed media on fabric
31 x 22 ¾ in. / 78.7 x 57.9 cm.

david smith bomber bird fabric sculpture

David B. Smith
Bomber Bird, 2016
Digitally woven cotton, thread, wood, leather
40 x 19 x 6 in. / 101.6 x 48.3 x 15.2 cm.

china marks death denied fabric collage

China Marks
Death Denied, 2020. 
Fabric, thread, screen-printing ink
and fusible adhesive.
11 ½  x 16 ¾ in. / 29.2 x 42.5 cm.

 

fanny allie subterranean city fabric collage

Fanny Allié
Subterranean City, 2019
collages and mixed media on fabric
19 x 17 ½ in. / 48.3 x 44.5 cm.

china marks bride stripped bare fabric collage

China Marks
The Bride Stripped Bare…, 2019
Thread, fabric, screen-printing ink, lace
and fusible adhesive.
19 ½ x 14 in. / 49.5 x 35.6 cm.

 

david smith american dream fragment fabric sculpture

David B. Smith
American Dream Fragment #2, 2017
Digitally woven cotton, polyester, thread
11 x 15 x 11 in. / 27.9 x 38.1 x 27.9

david smith american dream fragment fabric sculpture

David B. Smith
American Dream Fragment #1, 2017
Digitally woven cotton, polyester, thread
10 x 11 x 10 in. / 25.4 x 27.9 x 25.4 cm.

Press Release

Music For The End Of Time brings three contemporary artists together for the first time: Fanny Allié, China Marks and David B. Smith. All three artists have made fabrics and textiles central to their creative practice: Their distinct yet complementary voices allow us to contemplate their individuality in a new way, through the medium that they share. Together, the artists explore issues of construction and deconstruction, transcendence, identity, narrative, body and structure.

Fanny Allié transforms found pieces of fabric and other materials to create delicate assemblages that explore themes such as the body, belonging and deconstruction. Her single-plane creations balance emotive and opaque narratives, populated with characters that often blend into their environment. This relationship between characters and the structures they inhabit is central to her work. Allie’s choice of fabric fragments highlights their inherent patina of age, as do the exposed holes, dangling threads and other soft details of materiality.

China Marks creates hybrids of embroidery, drawing, and collage. Her dense process-driven creations can initially be described as drawing with thread into fabric fragments, with which she constructs twisted tales. Over time she builds up her creations by working and re-working thread upon thread, with fabric collage that is applied, removed, and reshaped. Combined with the addition of digitally embroidered sketches and text, the end result is a wondrous landscape filled with warped characters, dark humor and loaded narratives.

David B. Smith has a sculptural approach to textile art. He works with a number of forms, but often starts by distorting images through a pseudo programming code that distorts, fragments and rearranges the information into playful patterns. These image files are then fed to a digital loom. The resulting fabrics are then arranged into shapes that engage their own symmetries, or are torn and layered into trippy 3-dimensional constructions. The results are objects that can be unsettling, cozy and intriguing all at the same time.